MS Hyde 60
Ireland, W. H. (William Henry), 1777-1835. Papers: Guide.
Houghton Library, Harvard College Library
Harvard University, Cambridge, MA 02138
© 2005 The President and Fellows of Harvard College
Repository: Houghton Library, Harvard College Library, Harvard University
Location: Hyde Case 9
Call No.: MS Hyde 60
Creator:
Ireland, W. H. (William Henry), 1777-1835
Title: Papers,
Date(s): 1593-1824 (inclusive),
Date(s): 1794-1813
(bulk).
Quantity:
7 volumes (1.3 linear ft.)
Abstract: Seven scrapbooks of Shakespeare forgeries created by William Henry Ireland,
most of them extra-illustrated with original Ireland family manuscripts and artwork.
Rick Stattler
*2003JM-150,
*2003JM-151,
*2003JM-152,
*2003JM-153,
*2003JM-154,
*2003JM-171,
*2003JM-172.
Bequest of Mary Hyde Eccles, Four Oaks Farm, Somerville,
New Jersey; received: 2004.
Item (3) was formerly in the collection of Lewis Pocock. Items (5), (6), and (7) were purchased by Donald
and Mary Hyde from Abraham Simon Wolf Rosenbach in 1952.
In 1794, at age 19, William Henry Ireland "discovered" a cache of William
Shakespeare manuscripts, which he presented in a series of gifts to his father,
engraver Samuel Ireland. The manuscripts included legal documents, correspondence,
and two previously unknown plays, Vortigern and Henry
II. By 1795, many of the manuscripts were on display at the Ireland home, and
were the talk of London. In December, an edition was published under the title of Miscellaneous Papers and Legal Instruments under the Hand and Seal of
William Shakespeare.
Vortigern was produced at the Drury
Lane Theatre in April 1796, but by this point, the manuscripts were increasingly
regarded as forgeries, and the production was hooted off the stage on opening night.
William Henry Ireland, exposed as the actual author of the Shakespeare manuscripts,
embarked on a long literary career. In 1805, he published The Confessions
of William-Henry Ireland. He also sold several extra-illustrated manuscript copies
of his own forgeries.
The bulk of these papers consist of Ireland's Shakespeare forgeries, including
complete copies of Vortigern and King Lear. The
collection also includes correspondence, literary manuscripts, and original artwork
credited to members of William Henry Ireland's immediate family: his father Samuel
Ireland (d. 1800); his mother Anna Maria de Burgh Coppinger, a.k.a. Mrs. Freeman (d.
1802); and his sisters Anna Maria Ireland and Jane Ireland. Of particular interest are
two original paintings credited to Richard Westall, item (3), pages 6 and 20; two
miniature portraits on ivory credited to Jane Ireland, item (3), pages 18 and 19; and a
watercolor credited to Paul Sandby, item (4), page 156.
While cataloging is not always an exact science, it should be regarded as
particularly imprecise with the Ireland papers. Attributions of artwork are generally
provided as supplied by Ireland, and letters may not be authentic. The observations of
Ireland scholar Jack Lynch have proven helpful.
Several other institutions hold William Henry Ireland manuscripts,
including the University of Iowa, Indiana University, and Princeton University.
-
Hyde Case 9
(1)
Ireland, W. H. (William Henry), 1777-1835.
Drama
of Henry the IInd, attributed to Shakspe'e : extra-illustrated autograph manuscript,
1786-1813?
1 v. (111 leaves).
Consisting mostly of Ireland's original Henry II forgery mounted in a scrapbook, alternating with pages from the 1799 edition, 77 pages
each. It was probably compiled after 1813, as an annotation refers to the late Lord
Torrington.
The volume is extra-illustrated with the following engraving and ten
letters addressed to Samuel Ireland, all inserted before the play:
-
Henry II [King of England].
Engraving by [James?] Heath.
-
Torrington, John Byng, Viscount, 1743-1813. Autograph
letter, signed, [no place] to Samuel Ireland, 1799 Apr. 22.
-
Newton, John Frank. Autograph letter, signed, Portsmouth (England), to Samuel Ireland, 1798 Jan. 20.
-
George, George C. Autograph letter, signed, Penryn, Cornwall (England), to Samuel Ireland, 1796
Aug. 8. Inquires about Shakespeare controversy.
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Lake, James Winter, Sir, 1745-1807. Autograph letter,
signed, Edmonton (London), to Samuel Ireland, 1794 Feb. 18. Sends manuscript for transcription.
-
Caldecott, Thomas, 1744-1833. Autograph letter, signed, Breton [England?] to Samuel Ireland, 1797
Apr. 10.
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Harcourt, George Simon Harcourt, Earl of, 1736-1809. Autograph letter, Harcourt House [Oxfordshire, England] to Samuel Ireland, [1786 Jan. 28] Saturday. Welcomes Ireland's
dedication.
-
Lockley, John. Autograph letter, signed, Boscobel
(England) to Samuel Ireland, 1793 Aug. 29.
-
Worthington, Richard. Autograph letter, signed, Ross [Herefordshire, England] to Samuel Ireland, [1795]
Oct. 5. Concerning Ireland's Picturesque Views on the River Wye.
-
Marsh, Charles, 1735-1812. Autograph letter, signed, Penquite near Fowey, Cornwall (England) to Samuel
Ireland, [1796] Aug. 30.
-
Mackenzie, John. Autograph letter, signed, Polperro [Cornwall, England] to Samuel Ireland, 1794
Oct. 25. Describes the scenery in Cornwall.
2003JM-171
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Hyde Case 9
(2)
Ireland, W. H. (William Henry), 1777-1835.
Frogmore fete : extra-illustrated autograph manuscript, signed, 1808 [not before 1824]
1 volume (46 leaves).
Alleged to be a theatrical performance commissioned for the
amusement of George III, King of Great Britain in 1802. With an introduction by Ireland
titled "Prefatory Lines" dated 1808, denouncing the royal family. Although Ireland
claimed for some reason to have prepared this transcript and written his introduction in
1808, pages 1 and 7 bear the watermark "Smith I & J 1824."
Front cover
detached, with bookplate of William Henry Ireland.
Extra-illustrated with the
following.
- Before "Prefatory lines." Samuel Whitbread.
Engraving by [James] Hopwood, after John
Opie.
- Before "Prefatory lines." Charles Dibdin.
Engraving by [William] Ridley, after [Samuel]
Drummond.
- "Prefatory lines" page 1. Sir William Charles Farrell Skeffington.
Engraving, published by James Asperne,
London, 1815.
- "Prefatory lines" page 1. Sir Lumley St. George Skeffington.
Engraving by [William] Ridley, after [John Thomas] Barber [Beaumont]
- "Prefatory lines" page 2. Amelia, Princess of Great Britain.
Engraving by [William] Ridley.
- "Prefatory lines" page 3. George III, King of Great Britain.
Engraving, published by James Asperne,
London, 1820.
- "Prefatory lines" page 3. [George III, King of Great Britain?]
Engraving, uncredited.
- "Prefatory lines" page 3. Charles Jenkinson, Earl of Liverpool.
Engraving by Ridley & Blood, after
Eldridge.
- "Prefatory lines" page 3. Henry Dundas, Viscount Melville.
Engraving by [James] Hopwood.
- "Prefatory lines" page 3. George Rose.
Engraving,published by James Asperne,
London, 1818.
- "Prefatory lines" page 3. Paul Sandby.
Engraving by Joseph Thomson, after Philip Jean.
- "Prefatory lines" page 4. Abraham Newland.
Engraving by [William] Ridley, after [Samuel]
Drummond.
- "Prefatory lines" page 5. Abraham Newland.
Engraving by J. Mills, after A. Mills.
- Page 4. George III, King of Great Britain.
Engraving by James Shury.
- Page 7. Isabella Hallam Mattocks.
Engraving by [William] Ridley & Co., after [Samuel]
Drummond.
- Page 14. Charlotte, consort of George III, King of Great Britain,
1744-1818.
Engraving, published by James
Asperne,
London, 1818.
- Page 15. Proclamation of peace at the Royal Exchange, London, April 29,
1802. Printed broadside with hand-colored engraving, published by Peltro William Tomkins,
London, 1802. 40 x 37 cm., folded to 26 x 17 cm.
*2003JM-172.
-
Hyde Case 9, folio
(3)
Ireland, W. H. (William Henry), 1777-1835.
A full
and explanatory account of the Shaksperian forgery : extra-illustrated autograph
manuscript, 1593-1802.
1 volume (260
pages).
Apparently compiled by Ireland ca. 1802.
Most of the volume is a mixture of Ireland's manuscript narrative, his transcripts of
related documents, his Shakespeare forgeries, and his transcripts of the forgeries in his
regular eighteenth-century hand. Some items are mounted with captions, others are
written directly into the volume.
In a green tray case with spine reading: "W.H.
Ireland's Confessions."
The volume is also extra-illustrated with the following:
- Before title page. [Ireland family coat of arms]. Paint on
paper, 1765, by Samuel Ireland.
- Pages 2-4. Table of contents.
- Page 6. William Henry Ireland.
Painting on paper, 1784, credited to Richard Westall.
- Page 9. St. Jno. Ld. Visct. Bolingbroke, nil admirari. Ink on paper portrait of Henry St. John, Viscount Bolingbroke, credited to Samuel Ireland.
- Page 10. Mrs. Underwood and old Strahab.
Etching by Jane Ireland, from a drawing by Samuel
Ireland.
- Page 14. A view of Ealing.
Etching of Ealing (England) by James Roberts (1725-1799) after [Jean Baptiste Claude] Chatelain.
- Page 18. William Henry Ireland.
Miniature
painting on ivory, credited to Jane Ireland.
- Page 19. Inigo Jones.
Miniature painting on ivory, credited to Jane Ireland.
- Page 20. Characters in the Gentle Shepherd as represented in Arundel
Street, Jany. 15, 1784.
Watercolor on heavy paper, 47 x 32
cm, folded to 18 x 32 cm. Credited to Richard Westall. Depicts in
costume: Sarah Blake,
Jane Ireland,
Anna Maria Ireland,
Jane Linley,
Thomas Sheridan (1775-1819),
Richard Westall,
John Carr,
William Carr,
W.
(William) Linley,
Benjamin Carr, and William
Henry Ireland.
- Page 30. Burial ground of the capuchin convent and distant view of the
college church of Eu in Normany. Uncredited etching.
- Page 34. Anna Maria Ireland and Jane Linley
Nash. Pencil and watercolor on paper, credited to Samuel Ireland.
- Page 35. Anna Maria Ireland and Jane Linley
Nash.
Etching, credited to Samuel Ireland.
- Page 34. Jane Ireland and Anna Maria Ireland. Pencil and watercolor on paper, credited to Samuel Ireland.
- Page 41. Come Celia will for kisses play. Autograph manuscript poem, credited to Samuel Ireland.
- Page 41. The sportive loves, & ev'ry grace. Autograph manuscript poem, credited to Samuel Ireland.
- Page 42. Cliefden's spring. Printed sheet music, credited to Samuel Ireland.
- Page 42. Loose hints from Strawberry Hill Press. Pencil drawing on paper, credited to Samuel Ireland.
- Page 44. David Garrick as Richard III. Ink wash on paper, credited to Samuel Ireland.
- Page 46. St. Albans Abby.
Etching by J. Ryland, after B[enjamin?] Ralph.
- Page 49. Caernarvon Castle.
Etching by J. Ryland, after B[enjamin?] Ralph.
- Page 52. Barkeley Castle.
Etching by J. Ryland, after B[enjamin?] Ralph.
- Page 55. Clopton House.
Etching by Samuel Ireland.
- Page 58. Henry VII, King of England.
Engraving by George Vertue.
- Page 60. A fish and a hand. Watercolor and pencil by William Henry Ireland, after a sketch by Samuel Ireland at Clopton.
- Page 63. Carolus dei gratia magne Britania Franciae et Hibernia rex. Uncredited engraving of Charles I, King of
England.
- Page 66. Henrietta Maria, Queen, consort of Charles I, King of
England.
Engraving by Wenceslaus Hollar,
London, 1641.
- Page 72. The Quintin. Ink on paper drawing [by William Henry Ireland?]
- Page 86. Henry Wriothesley, Earl of Southampton.
Watercolor on paper [by William Henry Ireland?] from an original at Bulstrode [Hertfordshire, England].
- Page 98. [Elizabeth I, Queen of England] Uncredited engraving.
- Page 105. Armorial bearings of the Leicester family.
Painting on paper depicting coat of arms, uncredited.
- Page 106. Robert Sidney, Earl of Leicester. Ink on paper drawing, by William Henry Ireland, 1802.
- Page 106. Robert Dudley, Earl of Leicester. Ink on paper drawing, by William Henry Ireland, 1802.
- Page 114. Wittye conundrums. Ink on paper drawing, by William Henry Ireland as William Shakespeare.
- Page 124. Hair. Purporting to be part of the original lock of
hair which Ireland passed off as Shakespeare's in 1795.
- Page 134. Coats of arms of Ireland and Shakespeare. Ink on paper drawing, by William Henry Ireland as William
Shakespeare.
- Page 140. Coats of arms of Ireland and Shakespeare. Ink on paper drawing, by William Henry Ireland as William
Shakespeare.
- Page 142. Henry V, King of England.
Engraving by [George] Vertue.
- Page 153. Ioannes Milton, aetatis LXII 1670.
Engraving of John Milton by George Vertue.
- Page 156. Dei Gratia Inglie Scocie.
Painting on
paper [by William Henry Ireland?]
- Page 160. Guy Fawkes, executed in the year 1606 for the
Gunpowder Plot. Engraving, uncredited.
- Page 160. Robert Catesby, one of the conspirators in the
Gunpowder Plot. Engraving, uncredited.
- Page 164. John Wright, one of the conspirators in the
Gunpowder Plot. Engraving, uncredited.
- Page 164. Christopher Wright, one of the conspirators in the
Gunpowder Plot. Engraving, uncredited.
- Page 166. Thomas Winter, executed in the year 1606 for the
Gunpowder Plot. Engraving, uncredited.
- Page 166. Robert Winter, executed in the year 1606 for the
Gunpowder Plot. Engraving, uncredited.
- Page 170. Thomas Percy, one of the conspirators in the
Gunpowder Plot. Engraving, uncredited.
- Page 170. Thomas Bates, executed in the year 1606 for the
Gunpowder Plot. Engraving, uncredited.
- Page 174. Richard II, King of England.
Engraving, uncredited.
- Page 176. George Clifford, Earl of Cumberland. Ink on
paper drawing, by William Henry Ireland, 1802.
- Page 178. Mary, Queen of Scots. Ink on paper drawing, by William Henry Ireland.
- Page 180. Torquato Tasso, poeta. Engraving, by N. Depuis Jr. after Enoch Seeman.
- Page 182. Henry, Duke of Northumberland. Ink on paper drawing of Henry Percy, Earl of Northumberland [by William Henry Ireland, after Nicholas Hilliard]
- Page 183. The right honorable Sir Philip Sidney, Knt. Engraving, by George Vertue after Isaac Oliver.
- Page 184. Names of the quarterings.
Painting on vellum, depicting 84 coats of arms.
- Page 186. Ambrose Dudley, Earl of Warwick. Ink on paper drawing [by William Henry Ireland]
- Page 192. Benjamin Johnson (1664 or 5-1742).
Engraving, by [George] Vertue.
- Page 194. Elynovr Rvmmin; the famous ale-wife of England, by [John] Skelton. Printed title page [1808 edition?] with woodcut.
- Page 198. Deed. Autograph document, signed, Richard Amcotte to John Oxacrofte [?] of North Grimston, Yorkshire, [1609] Nov. 7. With forged signature of William
Shakespeare appended as a witness. On vellum.
- Page 200. Deed. Autograph document, signed, Thomas Meres to Anthony Meres, [1616] June 1. With
forged signature of William Shakespeare appended as a witness. On vellum.
- Page 202. Autograph document, signed, Leonard Roper [?]
1593 Dec. 6. In Latin. With forged signature of William Shakespeare appended as a
witness. On vellum.
- Pages 206 to 208. Shakspeare. Printed prospectus by Samuel Ireland, Norfolk Street, Strand [London] 1795
Mar. 4. 2s.
- Page 210. Admission ticket. Printed document, 1795. For
admission to view the Ireland Shakespeare manuscripts. Not completed.
- Page 218. Receipt. Autograph document, signed, from Albany Wallis to William Henry Ireland, 1796
Aug. 3.
- Page 236. The lamentation of poor Quiz. Printed poem, [by William Henry Ireland]
- Page 237. Word of honour. Printed prologue and epilogue by William Henry Ireland to a play by Sir Lumley St. George
Skeffington, [1802]
- Page 238. A ballade wrotten on the feastynge and merrimentes of Easter
Maunday. Printed poem by William Henry Ireland,
London, 1802. 24 pages.
- Page 250. Review of Original letters, &c. of Sir John Falstaff and his
friends. Printed newspaper clipping, 1796. Mentions Samuel Ireland.
- Page 252. Harris, T. [Thomas] d. 1820. Autograph letter,
signed, to [Owen] Rees, [1801] Jan. 28. Rejecting William Henry Ireland's play Mutius Scaevola, or, The Roman Patriot.
- Page 254. Kemble, John Philip, 1757-1823. Autograph
letter, signed, [Drury Lane Theatre,
London] to William Henry Ireland, 1801 Feb 5. Agrees to forward Ireland's Mutius Scaevola, or, The Roman Patriot to the theater managers.
- Page 254. Powell, Mr. Autograph letter, signed, [Drury Lane Theatre,
London] to William
Henry Ireland, 1801 Feb 26. Rejects Ireland's Mutius Scaevola, or, The
Roman Patriot.
- Page 254. Kemble, John Philip, 1757-1823. Autograph
letter, signed, [Drury Lane Theatre,
London] to William Henry Ireland, 1801 Apr. 14. Forwarding Mr.
Powell's letter.
- Page 260. The spirit of Shakspere appearing to his detractors.
Engraving, humorously attributed to William Hogarth, commenting on William Henry Ireland's forgeries,
[1796?]
*2003JM-151
-
Hyde Case 9, folio
(4)
Ireland, W. H. (William Henry), 1777-1835.
Miscellaneous papers and legal instruments under the hand and seal of William
Shakspeare : extra-illustrated printed book, London, 1792-1817.
1 volume (172 pages).
Manuscript cover page reads: W.H. Ireland's Shaksperian fabrications. The extra-illustration, decorative borders, and captions were apparently done by
William H. Ireland not before 1817. Many of the insertions are captioned with references
to appropriate passages in The Confessions of William-Henry Ireland. Includes manuscript Shakespeare forgeries in Ireland's hand; tracings from
authentic Shakespeare-related documents inserted for comparison; and the following
other material:
- Page 20. Representation of the Quintin seal appendant from the Fraser
deed. Ink on paper drawing, [by William Henry
Ireland?]
- Page 38. The supposed witty conundrum [portrait of Shakespeare]
Ink on paper drawing [by William Henry Ireland?]
- Page 40a. Thomas Warton.
Engraving, by Stanier.
- Page 119a. Richard Brinsley Sheridan.
Engraving,uncredited.
- Page 121. Printed handbill defending Vortigern, [1796 Mar.]
- Page 122a. Tragedy.
Engraving, uncredited.
- Page 124. Sarah Siddons.
Engraving, by [William] Ridley, from [Thomas?] Beach.
- Page 127a. Henry II, King of England.
Engraving, by [James?] Heath.
- Page 131. Richard II, King of England.
Engraving, by [James?] Heath.
- Page 133. Caxton, the Printer. Ink on paper drawing of William Caxton [by William Henry Ireland?]
- Page 138. Triste amour, for the voice and Spanish guitar. Printed
title page of unrelated work by William Henry Ireland.
- Page 140. [Sir Philip Sidney?] Engraving, uncredited.
- Page 144. [Henry Frederick, Prince of Wales (1594-1612)]
Engraving, uncredited.
- Page 152. Quartetto, 2nd act, page 30. Manuscript dialogue from a
play, credited to Samuel Ireland.
- Page 153. Bookplate of Samuel Ireland. Printed.
- Page 154. Landscape. Watercolor on paper, purportedly of Wales and credited to Samuel Ireland.
- Page 155. Landscape. Watercolor on paper, credited to Samuel Ireland.
- Page 156. Landscape. Watercolor on paper, purportedly of
Windsor Forest [Berkshire, England] credited to Paul
Sandby.
- Page 157. Landscape. Ink wash on paper, credited to Peter Pindar.
- Page 158. Escap'd the battles rage, the hostile foe. Autograph
manuscript, credited to Mrs. Freeman, mother of William Henry
Ireland.
- Page 159. And have you not heard of a fine dainty princess. Autograph manuscript, credited to Mrs. Freeman, mother of
William Henry Ireland.
- Page 160. To Mrs. Crewe. Manuscript transcript of a poem by Charles James Fox, transcribed by Mrs. Freeman, mother of William Henry Ireland.
- Page 162. A mock elegy, in irregular verses, on the supposed demise of
P**** P*****, Esq., M.D. (London: Hookham & Carpenter, 1792). Printed poem. Ireland's annotation states that it is the work of his mother, Mrs. Freeman, concerning Peter Pindar. 50
pages.
- Page 163. [Anna Maria Ireland and Jane Linley
Nash]
Engraving, credited to Samuel Ireland.
- Page 164. Riddle. Autograph manuscript, credited to Anna Maria Ireland. On verso, Written at the request of Mr.
Williams on Twelfday to be read at the introduction of The Cake, autograph
manuscript poem.
- Page 165. Portrait of unidentified man. Pencil on paper,
credited to Anna Maria Ireland.
- Page 166. Portrait of unidentified woman. Pencil on paper,
initialed by Anna Maria Ireland.
- Page 167. Edwin & Eleonora. Manuscript transcript of a passage
from Edward and Eleonora by James Thomson. Transcription credited to Jane Ireland, but inscribed "Mrs. Freeman."
- Page 168. Landscape. Watercolor on paper, credited to Anna Maria Ireland.
- Page 168. Landscape. Ink wash on paper, credited to Jane Ireland.
- Page 169. Copy of a sketch of Katharine Willoughby Brandon,
Duchess of Suffolk by Hans Holbein (1497-1543). Color
pencil drawing on paper, credited to Jane Ireland.
- Page 170. An anthem on the lamented death of her royal highness, the
Princess Charlotte. Printed poem,
Paris [1817?] by William Henry Ireland.
- Page 171. Mr. Foster Powell, drawn from life.
Engraving of Foster Powell, uncredited.
*2003JM-150
-
Hyde Case 9, folio
(6)
Ireland, W. H. (William Henry), 1777-1835.
Shakespeare's manuscripts, Vol. 2: Hamblette &c : autograph manuscript, [1794?]
1 volume (122 pages).
The first seven pages are a forgery of the Hamlet manuscript. The remainder of the scrapbook contains a variety of other forged
Shakespeare documents. Page 45 has a page removed from an unidentified printed
volume involving Queen Elizabeth. One item appears to have been removed from page
23, and several other pages of the volume are blank.
*2003JM-153.
-
Hyde Case 9, folio
(7)
Ireland, W. H. (William Henry), 1777-1835.
Shakespeare's manuscripts, Vol. 3: Vortigerne &c : autograph manuscript, [1794?]
1 volume (119 pages).
The first 92 pages of this scrapbook are Ireland's
composition, Kynge Vortigerne, in his Shakespearean hand. On the
remaining pages are mostly a variety of other forged Shakespeare-related documents.
The document on page 93 is inscribed with several drawings, including a coat of arms.
Explanatory notes in an unidentified nineteenth-century hand are on pages 117 and
119. Several pages are blank.
*2003JM-154.
hou01763